Barcelona Photoblog: art
Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

June 09, 2007

Palau de la Musica Catalana: Modernist Ceiling

Palau de la Musica Catalana: Modernist Ceiling [enlarge]

Catalan art nouveau or modernisme at one of the most remarkable jewels of architecture in Barcelona: Palau de la Música Catalana, the concert hall. While you sit and relax at the cafeteria, look up and contemplate in detail all the different geometric lines traced with tiles on that modernist ceiling and the rich colors. I particularly like the flowers on those columns. Remember you can search for "palau" if you want to see previous posts of mine related to this place, like this: stained glass ceiling

June 07, 2007

MITORAJ: The Tuscan or Grande Toscano

MITORAJ: The Tuscan or Grande Toscano

The Tuscan or Grande Toscano (Toskanczyk in Polish, Igor Mitoraj's mother tongue) was first exhibited along with Ikaria and Tindaro in La Défense District, Paris in 1983, in fact, they were conceived for that part of the city based upon previous drawings by the artist. Now Grande Toscano is in Barcelona till July 2007 as part of an itinerant exhibition by this famous sculptor born in 1944 in Oederan, a town in the district of Freiberg, Germany, but of Polish parents. I took the liberty of applying some tonal treatment with an HDR software plus a little extra light with Photoshop to both the head in the frame which I think represents the heart or the soul of the Tuscan, and to the female bust coming out of Adam's rib according to what I interpret. Of course Igor if you disagree with such lay approach please let me know. 
To have a better idea I suggest you check my previous posts on Mitoraj. If you are a great fan browse Mitoraj pictures at Flickr or a Mitoraj video at YouTube.

Today's Pick: As you know Google is publishing the daily trends or most searched terms in the engine so I thought it might be useful to you.

February 23, 2007

Absinthe Tête - à - Tête





How odd can a post about Barcelona be? How can you relate every single image you capture on those streets with the city? Well, sometimes it really gets tough. Of course you can always mention the place- carrer Princesa to be exact - and the neighborhood - Barri de La Ribera (next to Barri Gotic) -. But how do you make a liquor store pop up in the middle of the story? I don't know. I just wanted to take a picture of that little devil on the label of an Absinthe bottle, I just wanted the emerald colors of that spirit in my picture. Fortunately, it turned out that Absenta has a lot of history behind, that it originated in Switzerland, that it was some kind of elixir depicted as as an addictive, psychoactive drug in the XIX century and extracted from Absinth Wormwood, a medicinal plant. It became very popular in the Parisian district of Montmartre so it is commonly associated with artists. It was banned in the USA and Europe in the 20s and manufactured again by the end of last century. So you see, it is trendy, you can buy it right now in Barcelona, it was related to art and I was able to show it. I can't believe my luck. I just wanted that little green devil after all!

Update:


Absinthe and its Relationship with Artists

Absinthe is a highly alcoholic distilled spirit that has been associated with many notable artists and writers over the years. With an anise-flavored bitterness and purported psychedelic effects, absinthe has developed a reputation as a mysterious, dangerous, and addictive drink linked to creativity.

The Origins of Absinthe

Absinthe originated in Switzerland in the late 18th century. It is derived from botanicals including the flowers and leaves of Artemisia absinthium ("grand wormwood"), green anise, sweet fennel, and other medicinal herbs. The ingredient wormwood contains thujone, which was believed to be responsible for absinthe's purported effects. Modern scientific analysis has shown the thujone levels in authentic absinthe to be far lower than early estimates and unlikely to cause hallucinations. Nonetheless, the mystique and air of taboo created by these unfounded controversies contributed to absinthe's reputation as an intoxicant for artists and writers.

In the 19th century, absinthe grew in popularity and became ingrained in café culture in France. It was nicknamed "la fée verte" (the green fairy) and often featured in Impressionist paintings. Absinthe's high alcohol content (45–74% ABV) and role as an inexpensive recreational drink contributed to its popularity among young bohemian artists and writers in the late 1800s.

Controversy and Bans

At the turn of the 20th century, absinthe became controversial and was blamed for psychiatry issues, criminal behavior, and corrupting youth. Critics pointed to its frequent consumption by creative misfits as evidence of its potential dangers. The powerful wine industry also spread concerns about absinthe to help curb competition. This led to bans in many European countries starting in the early 1900s.

As mentioned above, Thujone was thought to cause psychedelic effects and was cited as the reason for absinthe's hazards. However, modern analysis shows thujone levels were too low to cause such effects.

Relationship with Artists and Writers

Many influential creative figures of the late 19th and early 20th century in France consumed absinthe, adding to its cultural mystique. Prominent artists like Edgar Degas, Henri de Toulouse-Lautrec, and Pablo Picasso depicted absinthe in their works, often focusing on its relationship to bohemian café society. Henri de Toulouse-Lautrec famously drank absinthe daily and it served as inspiration for his Postimpressionist paintings of café interiors.

Noted absinthe drinkers among the literary set included Charles Baudelaire, Arthur Rimbaud, Paul Verlaine, and Ernest Hemingway, who drank it daily while writing in Paris. Many are the paintings that make reference to absinthe. This association of absinthe with avant-garde writers and artists enhanced its perception as a creative elixir.

While many artists openly used absinthe, letting it influence their works, experts today dispute the notion that it has psychedelic properties inspiring unconventional thinking. The effects were likely stupefying rather than mind-opening. However, the aura of illicitness gave absinthe an alluring reputation for writers and artists going against the grain creatively.

Modern Revival and Consumption

Starting in the 1990s, revised EU laws led to a resurgence of absinthe as studies showed it was no more dangerous than other spirits. Traditional distilling methods revived, leading bars and distilleries to sell premium, authentic absinthe. The drink became popular once more, especially among creative communities drawn to its legacy.

Contemporary absintheurs have moved away from the bohemian excesses of the past. While absinthe retains its aura of creativity and decadence, devotees today focus more on savoring its flavors. In parts of France and Switzerland, absinthe rituals include dripping ice water over a sugar cube atop a slotted spoon into the spirit. This gradually dilutes and brings out complex herbal tastes.

Legacy in Art and Culture

Regardless of absinthe's actual effects, its green fairy mystique endures as a symbol of creativity, danger, and early counter-culture. The impassioned artists who embraced it continue to fuel absinthe's cultural legacy. For instance, the play "Picasso at the Lapin Agile" fictionalizes Picasso and Einstein meeting in a Parisian absinthe bar in 1904, discussing genius and creativity.

References to absinthe persist in popular culture today, from movies like Moulin Rouge to paintings, songs, and literature. While regulated and safely consumed now, absinthe's aura of unconventionality pioneered by 19th century artists maintains its allure today. The drink's rich history ensures it endures as a creative muse inspiring continued fascination and works of art.

April 28, 2006

Avinguda Diagonal: Casa Comalat



...and as promised, the second chapter, the main façade of Casa Comalat, not so colorful and much more symmetrical, but a masterpiece of cutting edge architecture. 

Salvador Valeri i Pupurull (1873-1954) was the second generation modernist architect who designed the building. Notice the whimsical frieze, the iron work on balconies and the stone carvings on windows. The sky is a fake, it is really awful to take pictures at noon, specially in an upward shot, this is my only free time but your attention well deserves a briefer lunch.


April 06, 2006

Palau de La Mercè: Top of the Hill

Palau de La Mercè: Top of the Hill


Palau de la Mercè with the MNAC (National Art Museum of Catalonia), is the perfect place to enjoy a panoramic view of Plaza España (red or green subway lines) and the rest of the city. If you take the escalators at the end of the walk from the square to the palace you will meet several statues of classical style which look great against the sky.
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