April 14, 2006

Hospital de Sant Pau: Gargoyles

Close-up of the ornate facade of the Administration Pavilion at the Hospital de Sant Pau, Barcelona. The image features red brickwork contrasted with intricate stone carvings, including a central heraldic shield flanked by lions and topped with a crown. Above the shield is a stone eagle finial. Ornate stone angels and sculptural pinnacles frame the Gothic-style arched windows, with colorful blue and yellow ceramic mosaics visible in the architectural details.

Hospital de Sant Pau, a magnificent representative of modernism in Barcelona was projected by the architect Lluís Domènech i Montaner in the year 1901. Construction finished in 1930. Of course this is a place you cannot miss if you are an art lover and it is just one subway stop away from Sagrada Familia.

Eusebi Arnau and Pau Gargallo were the principal sculptors of the stone figures decorating the pavilions, where one can admire exquisite gargoyles, winged mythological figures, archangels, and lions. These pavilions have been meticulously restored and form part of a modernista complex now open to the public. All clinical services were relocated to the contemporary Sant Pau Hospital situated immediately behind the historic site.

Updated: 2026


Heraldry and Institutional Identity

The Central Escutcheon

The focal point of the facade is the coat of arms of the Hospital de la Santa Creu, featuring:

  • The Cross: The cross pattée, the historic emblem of the original 15th-century foundation.
  • The Supporters: Two lions rampant that act as protectors, signifying the institution's noble status.
  • The Crown: A count's crown, acknowledging Barcelona's history and the hospital's royal ties.

The Aquiline Finial

At the heraldic peak sits an eagle with outspread wings, frequently referencing Saint John the Evangelist, symbolizing the union of healing and divine wisdom.


Sculptural Iconography: The Celestial Guard

The Angelic Hierarchy

The complex is "guarded" by angelic sentinels that provide a protective spiritual layer, designed to aid the psychological recovery of the sick through beauty and faith.

  • Guardian Angels: Positioned on gables to act as architectural sentinels.
  • The Virtues: A program including Faith, Hope, Charity, and Obra (Action).

Materials and Artistic Collaboration

The interplay between exposed red brick and Montjuïc stone demonstrates the seamless collaboration between Domènech i Montaner and his artisans. The addition of polychrome ceramics adds the final layer of trencadís that defines the Catalan Art Nouveau aesthetic.

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